When I am performing, I am rarely satisfied with the
result. What I do, i.e. every
performance whether it is riding, golf, pool, or acting, seems to be inferior
in some way. This is because I have an
ideal performance in mind and rarely, if ever, achieve it. This is not true of analytic endeavors, I
am confident of my ability to analyze and reach conclusions, agreeable to
others or not. My track record in the
analytic arena is very good.
When finishing an acting effort, whether a monologue or a
scene in a play or movie, I come away thinking that it was not very good because there is no objective measure for me to use for comparison. There is, by definition, no objective measure
of performance; it is always subjective.
Each member of the audience reacts in his own way. Yet there is an overall feeling about a performance
that members of the audience get, it is portrayal of the character
in that situation and they discuss it afterwards. I think it is this discussion phase that
bothers me; I care very much what they say.
It is a bit different when participating in golf, pool, or
riding; I know right away if my performance was good or not. There are objective measures for these
activities: good hits, sink the ball and gain shape, clear the jumps in sequence.
“When in a competitive or conspicuous situation, I keep my
mind on my objective and stay aware of my surroundings.” This is one of my daily affirmations and it contains the wisdom necessary for this conundrum. As has often happened in the past, writing out the feelings and the situation brings forth a conclusion, a prescription for success.
Aha! The missing
ingredient is an objective in every situation where I feel less than comfortable,
less than confident. And this is not
just in the overall situation but in each increment of the situation from curtain
to applause.
There may be many “beats” to the scene; each one has to have
an objective to which it is played.
This is true in all performances, whenever I am engaged in doing
anything that involves doing rather than thinking. Just to be clear, it pertains to riding,
golf, pool, and acting.
The art of managing the situation is in the ability to be
able to decide on the objective without taking a lot of time to figure it out
because when one is living (and acting) at the speed of life, one doesn't have
the luxury of sitting back and analyzing the situation as it unfolds.
A script affords some hints, this is a good
thing, but on the stage the action may deviate from the script and spontaneity
is required; the scene has to stay on track. It is the same in the other endeavors, what happens isn't
always what was planned so reacting, regrouping, and resetting is required.
The performance of an action may not be
perfect and this must be forgiven but having an objective in mind before performing it
is paramount. Constantly minding the objective, reforming it, and
executing the act as consciously as possible will eventually bring the level of
performance to higher levels, even stardom.
The beauty of this conclusion is astounding to me: the basic
ingredient for my confidence is to have an objective for every action to be
taken.
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